Above the work-table was a drop-light—kerosene. She could still remember herself at age five, staring knives and daggers at the men who came into the small yarn shop, under pretense of business but really just to leer. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming.
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