"Why, first," rejoined Austin, "there's Sir James Thornhill, historical painter to his Majesty, and the greatest artist of the day. When he begins to notice things, I want you to trap his interest, to amuse him, keep his thoughts from reverting to his misfortunes. "Certain. "So, you're admiring my cabinet, Sir Rowland," he remarked, with a sinister smile; "it is generally admired; and, sometimes by parties who afterwards contribute to the collection themselves,—ha! ha! This skull," he added, pointing to a fragment of mortality in the case beside them, "once belonged to Tom Sheppard, the father of the lad I spoke of just now.
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