She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. “Don’t be a hypocrite. Tombs were desecrated, beautiful statues toppled, and the colorful shops that she had been enchanted by along the canal had been closed or burned. On this side was a razor with which a son had murdered his father; the blade notched, the haft crusted with blood: on that, a bar of iron, bent, and partly broken, with which a husband had beaten out his wife's brains.
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