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"For the caption!" replied Jackson, coolly drawing a brace of pistols from his pockets. “But I wanted to see you. Sheppard. “Let’s go in here. Don’t take revenge on him because I’ve wronged you. It was always jabbing him with white-hot barbs, waking or sleeping. At length he proceeded toward McClintock's bungalow, drawn by the lights and the sound of music. The easel and palette having been packed up, and the canvass carefully removed by Austin, the party took leave of the prisoner, who was so much abstracted that he scarcely noticed their departure. The costume of this personage was somewhat singular, and might have passed for a masquerading habit, had not the imperturbable gravity of his demeanour forbidden any such supposition.

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