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But what can we do? Here am I, fixed to respectability and this laboratory; you’re living at home. It was, Ann Veronica felt, as a sip or so of that remarkable blend warmed her blood, just the sort of thing that her aunt would not approve, to be lunching thus, tete-a-tete with a man; and yet at the same time it was a perfectly innocent as well as agreeable proceeding. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. She'll be mighty interesting to watch. “Why should women be dependent on men?” she asked; and the question was at once converted into a system of variations upon the theme of “Why are things as they are?”—“Why are human beings viviparous?”—“Why are people hungry thrice a day?”—“Why does one faint at danger?” She stood for a time looking at the dry limbs and still human face of that desiccated unwrapped mummy from the very beginnings of social life. “But your sister,” he said.
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