‘But don’t let me stop you from going to see Charvill. The glance, which he threw at the door, was singularly expressive of his character: it was a mixture of alarm, effrontery, and resolution. “Certainly her voice is far more musical. The girl in the forward chair raised herself a little, the better to see the gorgeous blue palanquin of the dimly visible bride. Give me that precious charge," he added, snatching the bundle from Wood. The conflict was of short duration; for Shotbolt was no match for his athletic antagonist. All her pride raged at me.
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